October Art Week
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Les Enluminures

LES ENLUMINURES


 
 

The Spitzer Renaissance Diamond, Ruby and Enamel Ring
Italy, (Venice?), 16th century
Gold ring, the hoop chased with scrolls terminating at projecting shoulders each set with a ruby between two table cut diamonds supporting the high bezel composed of five point cut diamonds arranged like a star, the backs decorated with a black linear pattern, simulating reeding.

CONTACT

23 East 73rd Street

7th Floor, Penthouse

(212) 717 - 7273

newyork@lesenluminures.com

October ARt Week Hours

Monday - Saturday, 10:00 AM - 6:00 PM



GALLERY EXHIBITION:

“DIAMONDS: the collection of Benjamin Zucker”

October 24 - November 9, 2019

 

Les Enluminures announces an exhibition and sale of the extraordinary collection of diamonds - the king of gems - of Benjamin Zucker, one of New York's leading dealers in diamonds and precious stones.

Benjamin Zucker's remarkable story unfolds over three generations of dia­mond dealers. Arriving in New York in 1941, he had the benefit of the training of his grandfather, a leading expert in uncut diamonds in Antwerp, and his uncle, one of the foremost dealers of diamonds in the Far East. Some of the world's most famous diamonds, such as the Wittelsbach Diamond, passed through the hands of the Zucker family. Armed with the family "know-how," Benjamin Zucker formed a collection that "has taken a lifetime of patience, money, and unquenchable enthusiasm," according to Diana Scarisbrick. As Mr. Zucker himself says "diamonds will always be a magical window facing the invisible world."

Put together over more than forty-five years, this hugely rare and immensely valuable collection includes approximately thirty-five precious jewels mostly made for European patrons - rings, brooches, hairpins, earrings. It tells the story of the Indian diamond over a period of nearly 600 years, ending before the discovery of mines in Brazil, a source that displaced India and inaugurated a new age of diamonds. Starting with the octahedral diamond, the collection includes outstanding examples of world-class importance showing how jewelers gradually captured more and more of the allure of these indomitable gems evolving from point to table to rose to brilliant cuts. The success of the brilliant cut (close to our cuts today) eclipsed the earlier shapes, many of which were recut to "modernize" them, with the result that earlier cuts of "old mine" diamonds included here are exceedingly rare.

Most of these jewels are published. Many of them have been exhibited in prestigious museums, The Walters Art Museum, the Yale Peabody Museum of Natural History, the Houston Museum of Art, and most recently the Metropolitan Museum of Art. They have never been offered for sale.

A lavish publication by leading scholars accompanies the exhibition. It is written by Diana Scarisbrick, celebrated jewelry historian and author of Diamond Jewelry: Seven Hundred Years of Glory and Glamour (September 2019), and it includes drawings tracing the evolution of diamond cutting by Jack Ogden, gemologist and author of Diamonds: An Early History of the King of Gems (2018).

The collection is for sale in its entirety.